2023.02.02 → 2023.02.19
Restes de Traces
collective exhibition at Tour D'Orion, Paris (FR)
curated by Eladio Aguilera Hermoso

2023.02.11 → 2023.05.14
Entrée libre
Personal exhibition at OpenSpace, Nancy (FR)
curated by Vincent Verlé

2023.03.02 → 2023.03.05
Ex situ, The Haberdashery show
collective exhibition by 10n at Mercerie, Brussels (BE)
curated by Jérome Nicod

Personal exhibitions

Entrée libre, curated by Vincent Verlé, OpenSpace, Nancy (FR) Forthcoming
InAndOut, curated by Jérome Nicod, 10n, Brussels (BE) Forthcoming
Clouds of Joy, curated by Julian Pacomio & Josseline Black, Fogo Em Foco Festival, Foco Gallery, Lisbon (PT) Forthcoming

Junkspace, curated by Steven Gee & Corey Bartle-Sanderson, Piccalilli, London (UK)
From Above, As a Rain, curated by Emmanuel Lambion, Maison Grégoire, Uccle (BE)
My, Our, Yours, curated by Maud Salembier, Art Brussels, Supported by FWB, Brussels (BE)
Connected Vessels, curated by César Lecoq, Rolabola, Rouen (FR)

Jusqu'à l'envers, 22,48m², Paris (FR)
Elements, Florence Loewy, Paris (FR)

Our time is free, Cité Internationale des Arts, Paris (FR)
A Lukewarm B, Spazio Orr, Brescia (IT)

Intended Earshot, Coherent, The Others Art Fair, Torino (IT)
Potentitality of ten, L21, Palma (SP)

Selected group exhibitions

Ex situ, The Haberdashery show, curated by Jérome Nicod, by 10n at Mercerie, Brussels (BE) Forthcoming
Restes de Traces, curated by Eladio Aguilera Hermoso, Tour D'Orion, Paris (FR)

Narrations des Ordinaires, curated by Adrien van Melle, Poush, Paris (FR)
Les Lézards, curated by Elena Cardin, ArtNorac Price, Frac Bretagne (FR)
The Golden Fang, curated by Fiona Vilmer, Pauline Perplexe, Paris (FR)
Cendar, galerie Zotto, Brussels (BE)

Como la misma vida, curated by Renato Della Poeta & Aurélien Le Genissel, Blue Project Fondation, Barcelona (SP)
How does one thing of nothing, curated by Eduardo Lopez, FF Projects, Mexico (MX)
Doppelgänger, curated by Pauline Salinas & Hervé Charles, Kanal Centre Pompidou, Brussels (BE)
Super Hall, Magma Maria, Frankfurt (DE)
Printtemps, curated by Baptiste Caccia & Edouard Wolton, Fondation Fiminco, Paris (FR)
Bye Bye His-Story, curated by Emmanuel Lambion at Centre de la gravure et de l'image imprimée, La Louvière (BE)
Trophies, curated by Francesca Sabatini, The Pole Gallery, Paris (FR)
Prix Médiatine 2021, curated by Wolubilis, Brussels (BE)

SWAB Art Fair, Spazio Orr, Barcelona (SP)
R. W. Rye, duo with Céline Mathieu, Cité Internationale des Arts, Paris (FR)
Casa Dolce Casa, curated by Rosario Caltabiano, 22,48 m2, Paris (FR)
Private song, curated by Honggyun Mok, Doosan Art Center, Séoul (KR)
Les choses d'ici-bas, curated by Fabrice Schneider and Florin Filleul, Duflon Racz, Brussels (BE)
Toujours, curated by Pour ceux, Pal Project, Paris (FR)
Radar, curated by Trees De Mits, Arendonk Academy, Turnhout (BE)
Gourmandises, curated by Ariane Defraine, Galerie Arts2, Mons (BE)

Commun Imaginaire, curated by Vincent Verlé, Métroplole du Grand Nancy (FR)
The form springs, Senesi Contemporanea, London (UK)
It boils down, curated by Thomas Lowe, Pure Propaganda, Rotterdam (NL)
Revoir encore un été, curated by Hubert Marot, l’Echo des vagues, Vendée (FR)
Lockers Vol.3, curated by Diego Diez & Borja Llobregat, Bozar, Brussels (BE)
Natural blood circulation, curated by Cameron Macleod, Aldea, Bergen (NO)
I’m Trying to explain, L21, Palma (SP)
Arco Art Fair, L21, Madrid (SP)
Neighbours Vol.8, Artist collections, curated by Manor Grunewald, RIOT, Ghent (BE)

L’Économie des apostrophes, invited by Béatrice Balcou, curated by Julie Pellegrin, La Ferme du Buisson, Noisiel (FR)
Process time, curated by Vincent Verlé, Musée de l’Histoire du fer, Nancy (FR)
Copies, Eric Mouchet, curated by Théophile Calot, Paris (FR)
On Materiality, Dash, curated by Joachim Coucke, Kortrijk (BE)
Arco Art Fair, L21, Madrid (SP)

La Norme Idéale, Levy Delval, Brussels (BE)
20cm from the ground, L21, Palma (SP)
Re-Art2, curated by Julie Senden, Zaventem (BE)
62e Salon de Montrouge, curated by Ami Barak and Marie Gautier, Beffroi, Montrouge (FR)
Abookaspacea, curated by Théophile Calot, Chapelle Haut Quartier, Sète (FR)

What about the color pink? Do you like pink?, Geukens & De Vil, Knokke-Het Zoute (BE)
F/F, curated by Théophile Calot, Néon, Lyon (FR)
Point of view, Kunsthal Charlottenborg, Copenhagen (DA)

Friendly Faces, curated by Middlemarch, Johannes Vogt, New York City (US)
Forme e Anti forme, curated by Hans M. De Wolf, Fonderia Artistica Battaglia, Milan (IT)
Family Matters, De la charge, Brussels (BE)

Midway through the journey, neither here nor there, curated by Thomas Caron & Ward Heirwegh, B.O.R.G., Antwerp (BE)
And He Built A Crooked House, curated by Sungpil Yoon, 221A, Vancouver (CA)
The Stanley parable, Levy Delval, Brussels (BE)


From Above, As a Rain, Forthcoming
Text by Emmanuel Lambion
publisher BnProjects
design: Pierre Vanni

My, Our, Yours.
Text by Maud Salembier
publisher: Valérian Goalec & LaSpore
design: Antoine Bégon
35 x 55 cm, 8 p.

Salon 1
Text by Fiona Vilmer
publisher: Valérian Goalec & 22,48 m2
design: Antoine Bégon
35 x 55 cm, 8 p.

Elements, From Their Desk — 03
Text by Piero Bisello
publisher: Théophile's Papers, MER. Paper Kunsthalle & LaSpore
design: Alexis Jacob
15 x 21 cm, 448 p.

Elements, Random Notes — 02
Text by Gabrielle Besk
publisher: Théophile's Papers
design: Alexis Jacob
21 x 25 cm, 88 p.

Elements, Horizontal Structure — 01
Text by Beatrice Lortet
publisher: Théophile's Papers
design: Alexis Jacob
23.2 x 17.4 cm, 60 p.

Interviews & Bibliography

Les lézards au FRAC Bretagne, by Pierre Ruault, Revue Zéro Deux (FR)
Les quatre finalistes bretons du prix Frac Art Norac, by Fabienne Richard, Ouest France (FR)
The 38th edition of Art Brussels, by Stir World, Brussels (BE)
Art Brussels, clap 38, by Roger-Pierre Turine, La Libre, Brussels (BE)

Comment les artistes réinventent le corporatisme, by Rémi Guezodje, France Culture (FR)
Salon No. 1, by Fiona Vilmer, Paris (FR)
L’essenziale Studio, Pilot, Interview by Luca de Stefano, Milan (IT)
Conversation, Interview by Scandale Project, Paris (FR)

Le jeu des illusions, by François Salmeron, Le Quotidien de l'Art N°2029 (FR)
À portée de voix, by Christophe Veys, Art Brussels for L'Art Même Magazine N°81 (BE)
Art in Quarantine, Take our daily life, Umbigo Magazine N°73 (PT)
Insights, by Louis-Philippe Van Eeckhoutte, Art Brussels (BE)
Private song, by Joo-ok Kim, Doosan Art Center, Seoul (KR)
The opening response, by Josseline Black-Barnett, Umbigo Magazine (PT)
Side to Side, by Aurélie Faure, Cité Internationale des Arts de Paris (FR)
Stories, by Federico Montagna, Artoday (IT)
Entretiens, by Paul Bardet, Paris (FR)
Leipzig’s choice, Phoenix fine arts publishing, Hong Kong (CN)
Livre Anthologique, 22Publications, Paris (FR)

5 years of DASH, Pony Press, Kortrijk (BE)
Springs Forms, Franco Senesi, London (UK)
Obsession, Pli Revue numéro 5, Paris (FR)
Dateagle Art, by Vanessa Murrell et Martin Mayorga, Londres (UK)

Intended Earshot at The Others Art Fair, TGR Tv, Turin (IT)
The Others, by Elisa Cassissa, La Stampa, Turin (IT)
Copies, by Oscar Duboÿ, AD magazine (FR)
Máximo exponente, ABC Cultural, Palma (SP)

This is Belgium, The Word, Brussels (BE)

5 Artists to Watch, by the Sunday Art Fair Artspace (UK)
Portfolio, Mouvement magazine N°81 (FR)

Forme e Anti Forme, Vrije Universiteit Brussels (BE)
Volumes A — E, Open Books, by Charlotte Chettham, Hato Press, Londres (UK)
The Word, Edition April - May, Brussels (BE)


FRAC Bretagne (FR)
Fundación Camper (ES)
CCA Andratx (ES)
Various private collection